Fractured Reminiscence
Newly formed yet made of past components rearranged.
These works form in the space remembrance and obscurity. Nothing returns the way it once was.
These pieces investigate transformation, memory, and the impermanence of existence; how the past continuously shapes the present, creating a dynamic interplay between what is remembered and what is forgotten.
Processing a Paramensic Ache
Reshaped in the gaps between remembering and forgetting, fragile figures stand in for what was lost, their edges fraying like half-recalled moments.
Cardboard silhouettes replace my family, hollow forms holding the weight of an unsettled history. They linger between what was and what could have been, a reconstruction built on longing and revision.
I find myself yearning for an idealized fiction, a different present and future that never existed. Memory folds in on itself, warping under the pressure of desire.
Edition of 25
Imagining How I Used to Imagine
As a child, I wielded an action figure as an extension of myself, a vessel for boundless imagination and sound-filled adventures that would tire me into sleep. Through re-imagined scenes and abstract reconstructions, this series explores the malleability of memory, where the lines blur between who I was, who I pretended to be, and who I am now.
These photographs are a collision of nostalgic yearning and present-day reflection, where the action figure becomes both a surrogate and a mirror—a stand-in for the fearless, un-selfconscious creativity of childhood.
Edition of 25
Flashlight Opaque
Beams pierce the darkness, diffused through textured veils, casting shadows that obscure the senses. Seeing and not seeing, light becomes both a guide and a barrier. A fleeting intimacy unfolds — mirroring the opaque nature of so much of this world, of my world.
Seeking the unknown, while accepting that not everything can be fully known.
Edition of 50
Stray Thoughts
Collisions of memories and sporadic thoughts morph into a slurry of randomness in my mind, waiting for classification and organization. These distortions and reconstructions shape my understanding of the past, recognizing how perception of an event is often as defining as the event itself.
The malleability of my memory; its influence on the perception of myself and the world around me.
Edition of 25
Disintegrate
Reshaping the past to construct new forms from what once existed. Through the dismantling and reorganization of familiar elements; the tension between what is understood and what remains elusive. A continuous process of discovery, driven by the quest to make sense of what is still beyond my reach.
Fray
Unmooring the known, a lateral reconstruction—breaking free from established contexts to form something new from the old. My own de-contextualization and the creation of something else through reassembly, not creation. Searching for something I yet to know or understand.
Edition of 50
Red Veil
Sunlight filters through closed eyelids, a soft glow that seems to reveal more than what my open eye can capture. In this moment of stillness my mind begins to interpret the warmth and light in ways that transcend physical sight.
I find myself retreating into moments like these, where light feels less like a presence to be confronted and more like something that could be felt rather than seen.
Edition of 1